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Organ, brass and percussion perform Holst’s The Planets

At the controls of the Grand Orgue Pierre-Béique, Jean-Willy Kunz takes you to the farthest reaches of the universe with Holst’s famous The Planets.

Season partner

At the controls of the Grand Orgue Pierre-Béique, Jean-Willy Kunz takes you to the farthest reaches of the universe with Holst’s famous The Planets, an inspiration for many film music composers. Join us on an exhilarating sonic journey and discover this work in a truly innovative version that also features brass and percussion instruments.

Artists

Concert without orchestra

Thomas Le Duc-Moreau, conductor 

Jean-Willy Kunz, OSM organist-in-residence 

Paul Merkelo, Stéphane Beaulac, Robert Weymouth, Sam Dusinberre and Thierry Champs, trumpets

James Box, Charles Benaroya and Pierre Beaudry, trombones

Austin Howle, tuba

Catherine Turner and Nadia Côté, horns

François St-Jean, timpani

Josh Wynnyk and Nicolas Lapointe, percussion

François Zeitouni, celesta

Programme

HolstThe Planets for 14 brass and 3 percussion instruments (50 min.)

Without intermission

The Grand Orgue Pierre-Béique was generously offered to the OSM by Mrs. Jacqueline Desmarais.

Total duration50minutes

Thomas Le Duc-Moreau

Conductor

Conductor Thomas Le Duc-Moreau’s inspiring enthusiasm and artistic sensitivity combine in an effective and humanistic symbiosis, highly appreciated by musicians and audiences alike. Upon graduating from his conservatory studies, Thomas was appointed Assistant Conductor of the Orchestre symphonique de Québec, and subsequently of the OSM. His opera credits include two premieres in 2022 and 2023: Christian Thomas’ Messe solennelle pour une pleine lune d’été, based on the play by Michel Tremblay, and Yourcenar Une île de passions by composer Éric Champagne at the Festival d’opéra de Québec. Since the beginning of his career, Thomas has conducted almost every symphony orchestra in Quebec, as well as the Prague National Theatre Orchestra of the Czech Republic. In 2022, he received the very first Prix Joseph-Rouleau awarded by the Fondation du Conservatoire de musique et d’art dramatique du Québec, in recognition and support of his promising early career. 

Jean-Willy Kunz

Organist-in-residence with the OSM

Jean-Willy Kunz, Organist-in-Residence with the Orchestre symphonique de Montréal, is responsible for the development and enhancement of the Grand Orgue Pierre-Béique. He has performed as a soloist with the Orchestre symphonique de Québec, Les Violons du Roy and the Toronto Symphony Orchestra, and has premiered works by significant composers. Owing to his various interests, Jean-Willy Kunz is involved in numerous projects that bring a fresh perspective to the organ: jazz with saxophonist Branford Marsalis; pop with Pierre Lapointe; stage music with Cirque du Soleil; contemporary music with Quatuor Bozzini; or Baroque music with Ensemble Caprice. His discography includes several recordings that demonstrate the versatility of his musical influences, notably Symphonie et créations for organ and orchestra with the OSM (Juno award, 2016). Jean-Willy Kunz is Professor of Organ at the Conservatoire de musique de Montréal and Artistic Director of the Canadian International Organ Competition.